Well groomed, stylishly dressed people of leisure congregate around the gambling tables, lounge in beach chairs or dine surrounded by silver and crystal. Perpetual sunny skies shining on the shimmering sea, framed by historical bleached stone buildings scream ideal tourist destination. In many ways, the lifestyle portrayed within the setting is a dream. Grace Kelly & Jesse Royce Landis in To Catch a Thief This dynamic repeats in one of Grant’s later films with Audrey Hepburn, Charade, so obviously it was successful.
The fact that Francie is not entirely sure he is trustworthy, makes their potential romance even more interesting. I appreciate the unusual dynamic of the beautiful young heiress being the one who pursues the reluctant John Robie. Both are somewhat contained characters whose deeper emotions simmer beneath the surface. Meanwhile, Grant and Kelly have a real personal rapport which translates to sizzling on-screen chemistry. RELATED: Five Romantic Films – Hitchcock Style He keeps viewers guessing as to the identity of the thief for the entire picture. Nevertheless, that’s not to say that he completely leaves out the mystery inherent in his work. Instead, he gives us a visual love letter to all three on screen. This may be because his camera is too busy focusing on the lavish beauty of his stars, the technicolor setting, and the costumes.
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Yes, each of them made better films, however, the combination of the Hollywood trio makes To Catch a Thief special in the history of Classic Film.įor the Master of Suspense, this movie lacks some of the tension of his other pictures. Though not the best film Grant, Kelly, or Hitchcock ever made, it is still an absolute joy to watch. Engaged in dual games of cat and mouse, there is more at stake than Robie’s personal reputation. But Francie’s motives aren’t exactly what they appear to be. Francie inserts herself into his life and constantly interrupts Robie’s private investigation. His mission gets complicated by American heiress Francie Stevens. With the help of an insurance investigator, Robie begins shadowing those who might be targets of the jewel thief. Robie decides the only way to clear his name is to catch the thief who is posing as him. To make matters worse, Robie’s former compatriots in the French Resistance share that belief. The local police believe that Robie has returned to his life of crime. That is until a new round of burglaries is attributed to his criminal alter ego, The Cat. Grant is John Robie, a retired jewel thief living a comfortable life in the south of France. TO CATCH A THIEF SUMMARY To Catch a Thief. Add in the fashionable, yet classic costumes designed by the award-winning designer Edith Head and you have one of the most visually gorgeous films I’ve ever seen. Matching the natural beauty of Grant and Kelly is the vibrantly magnificent views of the French Riviera where the film is set. RELATED: My Journey Into Old Movies: To Catch a Thief And thanks to this film, Kelly and Grant remained lifelong friends. Kelly and Grant both appreciated the director. He had worked with both actors several times but never together. Director Alfred Hitchcock admired both Grace Kelly and Cary Grant. I doubt many pictures had a crew as simpatico as this one. Perhaps, that is how those involved in the making of To Catch a Thief felt. Sometimes all the stars align just right and you get a thing of great beauty.
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